Sacred Ceremonies  

Each year near the summer solstice, the Sun Dance brought together the powerful Lakota Nation. Lakota bands throughout the northern Great Plains met for a ceremonial reunion. Men, women, and children took part in 8 to 12 days of feasts, processions, and rituals.   

The annual activities rekindled community solidarity. Gift giving redistributed wealth to poorer members. Dancers paid homage to the cosmos and renewed their spiritual bonds with its earthly entities, especially the buffalo that sustained Native peoples on the Plains. The Sun Dance encapsulated core values of Lakota culture, including spiritual wholeness, personal sacrifice, and responsibility to others.   

In 1882, US officials took aim at the Sun Dance. Indian policy had shifted from removal to forced residence on reservations, with the goal of eventual assimilation. Assimilation sought to repress Native cultures, often through coercive or violent means. The “Code of Indian Offenses” enacted this policy. The Code banned traditional dancing, the work of medicine men, and other cultural and religious practices.   

Sicangu Lakota holy man Short Bull helped defend the Sun Dance from government and missionary opponents in an effort to keep the ceremony alive.

Short Bull’s World   

Short Bull (Tatanka Ptecela, ca. 1847–1921) created these artworks. Short Bull was born in present-day Nebraska at the height of Lakota power. He fought against the encroaching Americans in the Battle of the Little Bighorn. Surrendering to US forces in 1877, he built a cabin on the Rosebud Agency (now Rosebud, SD)—part of the Great Sioux Reservation established a decade earlier.   

As a Lakota holy man, Short Bull organized and led tribal ceremonies such as the Sun Dance. He also advocated for Lakota culture through his art. Reservation physician James Walker requested the large Sun Dance painting on behalf of New York’s American Museum of Natural History. Short Bull and other Lakota holy men had instructed Walker in traditional medicine and ceremonies.

Short Bull, ca. 1880s 
Denver Public Library Special Collections, B-567

Short Bull 
The Third Day of the Sun Dance
 
The image seen here is a facsimile of the original, courtesy of American Museum of Natural History Library, image #ptc-1902

The Sun Dance   

Short Bull’s painting captures the third day of the Sun Dance. Sun Dancers exit a sweat lodge and march in a line toward the circular dance lodge. A young cottonwood tree has been placed in the center. In Lakota belief, the tree gathers the sacred powers of the world into one central point, strengthening each dancer’s relationship to the community and to all of creation.   

By the 1880s, millions of buffalo had disappeared in the ecological upheaval caused by farmers, cowboys, and buffalo hunters. Sun Dance rituals required buffalo rawhide and sinew, among other articles. Obtaining these precious resources became more difficult than ever. Yet the Lakota persisted. The 1882 Sun Dance brought together 9,000 people, almost one-third of all Lakotas on earth.   

The Code of Indian Offenses   

Following the massive 1882 Sun Dance, new federal regulations criminalized the Sun Dance. The Office of Indian Affairs issued the Code of Indian Offenses—a set of rules outlawing the Sun Dance and other Native practices and customs. “I regard the old heathenish dances, such as the sun-dance, as a great hindrance to the civilization of the Indians,” wrote Henry Teller, US Secretary of the Interior. In the Christian-centric view of the Code's framers, the Sun Dance did not even qualify as a religious ceremony.   
The Code affected all Native people but was harshly enforced among the Lakota, reflecting US government anxieties about their large numbers and power. Reservation agents harassed holy men, ordered raids on Sun Dance gatherings, and refused rations to dance participants. Repeat offenders were starved or imprisoned.   

Despite this repression, Lakota people continued to practice the Sun Dance covertly, in the badlands or in other places tucked away from colonial surveillance.

Short Bull
A Prayer of Short Bull and his Adherents before the Ghost Dance, before 1909
Museum am Rothenbaum Kulturen und Künste der Welt, Hamburg, Germany
© Museum am Rothenbaum (MARKK), Hamburg

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